The Global Sixties In Sound And Vision

Despite the explosion of scholarly interest in the global 1968 phenomenon, the seminal influence of the arts - in both their popular and avant-garde iterations - has too often been neglected. Student activism in the space of the university and the street made up only a part of the broad anti-authoritarian eruption of 1968, and not even necessarily the most important one.

Arguably more fundamental was a broad democratization of cultural production in which avant-garde artists and youthful appropriators alike played a leading role. Cultural forms such as art, happenings, fashion, comics, movies, and music were critically important to the new youth sensibility and its dissemination within society more broadly.

Popular music and visual culture were among the most important of these categories, opening up new vistas of emancipatory possibility and fueling the development of new stylistic codes. This wide-ranging, interdisciplinary collection brings together scholars in history, film and media studies, cultural studies, art history, music and other disciplines to consider the symbiosis of the sonic and the visual that so powerfully shaped sixties counterculture.

Review: 'From Tropicalia to the New American Cinema, French prog rock to conceptual photography, this anthology proves that any compelling account of the polyvalent conjunctures of culture and politics in the 1960s must be interdisciplinary. Readable and engaging, this book pries the decade out of the cliches that too often imprison it to offer fresh perspectives on music, art, and film.' - Erika Balsom, Lecturer in Film Studies and Liberal Arts, King's College London, UK Much has been said and written about the 'global 1968,' but the impact of the global language of the arts in this revolutionary time period is still under-researched.

This book links wild hair and ecstatic screams, guitar smashing and spirituality to a new picture of the multifaceted interrelation of sound and vision in the counterculture of the Sixties. -Joachim Scharloth, Professor of Applied Linguistics, University of Dresden, Germany